Friday, April 30, 2010

Opening Ceremony

MAJIK PARTY FAVORS! The first arrivers to the May 1st show (Daniel Higgs / Sean Smith / Bird By Snow / Words /see info below) will receive two stones from a beach in Big Sur where a river returns to its source: the Pacific Ocean. A confluence of energy is present in this place and stored in these rocks. We will be conducting ceremony with these party favors, as we all venture to return to the source: the greater mind of the present moment.


Wednesday, April 28, 2010

Why We Gather

We gather to share song-birth, the moment when music is born and we are born inside it. There is no separation between song and singer, between listener and creator, between creation and listener and creator and the moment itself. What can music do? It can remove boundaries, it can pick up the lines we draw between one another. A song fills a room and everyone in it. It travels as vibrations into our bodies and minds, and between us. Music reminds us of the vast ocean of undivided reality. Songs lead us back to the huge fluid freedom. So we gather, in the center of this world, the center that creates us as we in turn create it. We gather and we listen and play with sound and silence, with majik and mystery, with the subtle and the solid.

Please come to this gathering (below), our first Majik Dudes Happening, which will be ripe with majik, ready to be picked and eaten.

May 1st, 2010
66 Sanchez St., San Francisco, CA
(66 Sanchez is James Howell Studio, a Yoga and Dance Studio)
8 PM
$5
All-Ages

Monday, April 12, 2010

May 1st, concert happening! Daniel A.I.U. Higgs (mystic poet/ecstatic singer)

66 Sanchez is James Howell Studio, a Yoga and Dance Studio with hardwood floors and skylights!

May 1st, 2010
66 Sanchez St., San Francisco, CA
8 PM
$5
All-Ages

Fittingly this first show is featuring one of my favorite songwriters of this or any dimension: DANIEL HIGGS. Daniel Higgs performs alongside shruti drones, and nimbly constructed long-neck-banjo sound webs. His larynx is tuned to resonant frequencies of the cosmic, the Gnostic, the esoteric. He barters for meaning with words usually off-limits in the scenes of Indie… words like Christ and Lucifer feature in the lyrics of almost every one of Higgs’ songs. And yet the usually only ironically religious youth sit on loft and DIY art gallery floors taking in music that engages a set of symbols most of them (us) forcefully rejected in small towns across this primarily Christian nation. Maybe these (we) young people sense an altogether deeper meaning and understanding of the Biblical in Daniel Higgs because he was in Lungfish (the seminal hardcore band)… or maybe it is his appearance: gray beard, round face, and tattooed hands (like a Punk Pagan Santa)… maybe his past or his look are at odds with a conservative interpretation of his words. Maybe, but I think it is actually the songs themselves, and Higgs’ presence, his humble and profound presentation of songs that deal in religious themes in a way that is also humble and profound. Religion is the same as poetry, words, names and stories stand in for feelings and perceptions unspeakable, and unspoken. When you say Christ, you say a lot. And when Daniel Higgs says: “see the Devil in the Christ if it’s the true Christ that you seek”, he sums up 1,ooo lines about non-dualistic thinking, in one verse. That’s how it feels to me anyway!

SEAN SMITH is the best guitarist in California. He is a creator and destroyer of instrumental worlds.

BIRD BY SNOW is my band, which this evening will feature advanced sound structures rhythmic, joyful, and hopefully room filling.

WORDS is an improvisational group featuring reeds and brass for the benefit of our wave-mind experience.

Thursday, April 1, 2010

British Anti-Road Activists (manifesto 1)

These guys lived in a tree-house, or tree-fort, or something, and they hated roads. I am republishing their manifesto to kick off a series of wyrd manifestos. So here it is #1, in support of my comrades who didn't want another road in Devon:

‘This is the Independent Free State of Trollheim... we have no allegiance to the UK government... We do not recognize history, patriarchy, matriarchy, politics, communists, fascists or lollipop men/ladies... We have a hierarchy based on dog worship... Our currency is to be based on the quark barter system . We do not recognize the Gregorian calendar: by doing so this day shall be known as One ... Be afraid, be afraid, all ye that hear. Respect this State."

Thursday, March 25, 2010

Economic Future (what to do with your change)

This is Native American armor from the Pacific Northwest made of Chinese coins (presumably traded). I have a feeling that this utilitarianization of currency is the fine future of the global economy.
(images from the New York Natural History Museum)

Monday, March 15, 2010

Surfing Crow

There was crow flying with a stick over the dunes. He held a piece of drift-wood with his left foot and cruised on the off-shore wind, dropping out of sight low behind the dunes, and then rising way up into the air. He flew from left to right, and right to left, but did not travel down the beach, nor did he land. What was up with this little bird-fellow and his stick?

Noël and I set about speculating. “It must be making a nest,” I said with ludicrous confidence. But he never put the stick down, nor did he make his way any-which-way, he simply danced in the air with the stick. “Maybe his leg is caught on it somehow?” Noël asked aloud. Instead of saying “nope, that's not it” the crow just grabbed the stick in his beak and then switched feet, holding it with his right foot instead. “How strange,” I thought, “he must be deranged, he’s lost his little bird brain.” Then he grabbed the stick with both feet, and cried out in apparent triumph, surfing with the driftwood above the sandy hills. And this thought struck my narrow mind: he is playing.

My first impulse is to think of animals (and by extension the wild) as practical, with all of their actions having “purposes.” Having ruled out the practical, we believed the crow to be in need, imagining him caught in some plastic soda-ring and drift-wood garbage trap… revealing my arrogance and guilt: seeing nature as fragile, and man (and myself) as careless and destructive. After ruling out a man-made danger I pronounced the crow insane for simply not adhering to the austere image that I had projected onto his ways.

Now however, I believe this crow was really marveling at his own crowness, as we sometimes delight in our humanness, or relative animalness. He was delighting in his grasping talons, his dexterous toes, his strong and able beak, and his magnificent wings. So too he seemed to give thanks and friendship to the wind, as they played together, crying out for joy as he surfed the stick with both legs; laughing like a child (or younger crow), surprised by each gust of wind, and his own marvelous game.

Have I seen this event clearly now? Certainly not, I am working with assumptions again, but to some extent I have seen my own thoughts more clearly, revealed a pattern of small-thinking that had essentially gone unchecked. Who am I to limit a crow, or conversely to proclaim its nature more complex? It is not my place to do so, but believing the wild to be at play is to see it with a wider view. Certainly it is a wider view than to consider the non-human world to be without play. Play is, after all, liberation… presence and movement without destination, action without wanting anything outside of the action itself… something a surfing crow can know without contemplation (I am assuming).

And there’s the final lesson from the Surfing Lama Crow, we don’t need to figure it all out, accepting the mystery is both humbling and illuminating. As Keats said: “The point of diving in the lake is not to immediately swim to the other shore, but to be in the lake, to luxuriate in the sensation of the water.” So it may be said that the point of a game is not to immediately complete it; nor is it most beneficial to deconstruct and examine the mysterious actions of a crow, perhaps better just to feel amazed… so now, I’ll shut up.

(image notes: a nice looking painting that I did not make but found somehow on the internet)